Joanna Liriano
Alfred Eisenstaedt
a-garden-of-forking-paths:

Alfred Eisenstaedt

Alfred Eisenstaedt

a-garden-of-forking-paths:

Alfred Eisenstaedt

Cloudy in New York
by Joanna Liriano (West New York, NJ)
Technique: Outdoors, No FlashLens: Wide Angle 28-224mm (35 Equiv.)Mood/Message: EdgyThe view of New York from my town, voila! New York is much beautiful at night with all the lighted windows glitter each and every skyscraper. Being pretty dark that day, my camera lit up the cloud above New York, giving it almost an aurora look to it. This photograph I chose to keep in color. The warm highlights makes it seem as if it was take in sepia. I also played with Photoshop by burning the Hudson River and the couple of buildings in the foreground. They seems distracting. Any improvements? Yes. I need to get a tripod. 

Cloudy in New York

by Joanna Liriano 
(West New York, NJ)

Technique: Outdoors, No Flash
Lens: Wide Angle 28-224mm (35 Equiv.)
Mood/Message: Edgy

The view of New York from my town, voila! New York is much beautiful at night with all the lighted windows glitter each and every skyscraper. Being pretty dark that day, my camera lit up the cloud above New York, giving it almost an aurora look to it. This photograph I chose to keep in color. The warm highlights makes it seem as if it was take in sepia. I also played with Photoshop by burning the Hudson River and the couple of buildings in the foreground. They seems distracting. Any improvements? Yes. I need to get a tripod. 

With Questions
by Joanna Liriano (West New York, NJ)
Technique: Black & White, IndoorsLens: Wide Angle 28-224mm (35 Equiv.)Mood/Message: Mysterious, CuriosityI wanted to start with a white background where there is also a strong key light, so I got on the dining room table where the chandelier lights my whole face. I was wearing a dark purple shirt, and I automatically thought “CONTRAST!” This photograph had to be very exaggerated, almost unreal to add more mystery to the mood. I call this  With Questions because it is what the audience is left with: Who is this person? How is she feeling? Where is she? etc… 

With Questions

by Joanna Liriano 
(West New York, NJ)

Technique: Black & White, Indoors
Lens: Wide Angle 28-224mm (35 Equiv.)
Mood/Message: Mysterious, Curiosity

I wanted to start with a white background where there is also a strong key light, so I got on the dining room table where the chandelier lights my whole face. I was wearing a dark purple shirt, and I automatically thought “CONTRAST!” This photograph had to be very exaggerated, almost unreal to add more mystery to the mood. I call this  With Questions because it is what the audience is left with: Who is this person? How is she feeling? Where is she? etc… 

Henri Cartier Bresson 
el-fraile:

Henri Cartier Bresson

Henri Cartier Bresson 

el-fraile:

Henri Cartier Bresson

alfred stieglitz
artconglomerate:

Georgia O’Keeffe by Alfred Stieglitz, 1918

alfred stieglitz

artconglomerate:

Georgia O’Keeffe by Alfred Stieglitz, 1918

Garry Winogrand
mpdrolet:

Untitled from Women are Beautiful, 1970
Garry Winogrand

Garry Winogrand

mpdrolet:

Untitled from Women are Beautiful, 1970

Garry Winogrand

Ansel Adams
iwoke2this:

Ansel Adams once said that he perceived “color” more clearly in b/w photography…I often think that’s true. It seems to speak to you more - sometimes - than color photography…

Ansel Adams

iwoke2this:

Ansel Adams once said that he perceived “color” more clearly in b/w photography…I often think that’s true. It seems to speak to you more - sometimes - than color photography…

Dorothea Lange
geneseelibby:

Happy Birthday, Dorothea Lange (May 26, 1895 – October 11, 1965)
Dorothea Lange, 1934, Paul S. Taylor
 via Oakland Museum of California

Dorothea Lange

geneseelibby:

Happy Birthday, Dorothea Lange (May 26, 1895 – October 11, 1965)

Dorothea Lange, 1934, Paul S. Taylor


via Oakland Museum of California


 In 1917, French artist Marcel Duchamp exhibited a urinal by moving it from a bathroom into a museum and calling it art. He called this art because his viewers saw something that they wouldn’t normally expect. The school of art devoted to everyday, ready-made, objects was called Dada. Duchamp was a founding member.
olumsal:

Marcel Duchamp, Fountain (1917) [photographed by Alfred Stieglitz]

 In 1917, French artist Marcel Duchamp exhibited a urinal by moving it from a bathroom into a museum and calling it art. He called this art because his viewers saw something that they wouldn’t normally expect. The school of art devoted to everyday, ready-made, objects was called Dada. Duchamp was a founding member.

olumsal:

Marcel Duchamp, Fountain (1917) [photographed by Alfred Stieglitz]